STREAMLINE ARM BEVEL
TIMBER BINDINGS
OX BONE COMPENSATED NUT
VOLUTE
GOTOH 510 TUNERS, RATIO 18:1
TOP FALCATE BRACING
BACK LIVE BRACING
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Falcate top bracing and live back bracing
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Evo gold medium frets
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Gotoh 510 tuners
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Neck has a two way truss rod and two carbon fibre rods
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Magnetic truss rod cover plate
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25.4 inch scale length
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Range of timber to choose from
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Streamline arm bevel option
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Macassar ebony fretboard
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45mm or 46mm nut width options
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One piece neck with volute
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Nitro lacquer gloss finish
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Segmented timber rosette or timber ring options available
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Compensated wide ox bone nut and saddle
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Semi hemispherical fret ends
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Rosewood bridge with bone string peg holders
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Timber bindings and purflings
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WJ pearl logo inlay on headstock
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12 fret or 14 fret body neck joint options
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Low or high string action options
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Hiscox case
LAMINATED TOP & BOTTOM SIDE LININGS
MANUAL
TIMBER ROSETTE
OX BONE STRING PEGS
OX BONE COMPENSATED SADDLE
INDIAN ROSEWOOD BRIDGE
Acoustic Steel String Guitar, Model No. WJGS HYB-SS-FB12
Review by Keenan Dingwall Smith
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Wayne took time to discuss my preferences for tone woods and design, resulting in a combination of Carpathian Spruce for the top and Panama Rosewood for the back and sides.
The care in selecting these materials is evident in both the sound and aesthetics the spruce top delivers clarity and brightness, while the rosewood adds depth and warmth.
The luthier’s attention to detail is unparalleled. Each joint was meticulously crafted, and the hand-carved rosette around the soundhole adds a personal touch that sets this guitar apart. The fretwork was done with precision, and the neck was shaped to my exact specifications, ensuring a perfect fit for my hand and playing style.
Throughout the process, Wayne worked closely with me to fine-tune every aspect, from the action to the finish. The result is a guitar that feels uniquely mine crafted not just for sound but for comfort and visual appeal.
The build process wasn’t just about creating a guitar; it was about creating an instrument that felt like it was made for me. The result is an exceptional, one-of-a-kind acoustic guitar that’s truly a Labor of love and craftsmanship.
Kind regards,
Keenan.
BACK LIVE BRACING